Imagined long, at length and slow, made it rain, made it snow you know those bandaged locks and pierced punk souls that hurts you like wisdom tooth, innocence lost in between the lines in the flick of a switch gone yesterday in retrospect was transparent grey
Ricardo Eliécer Neftalí Reyes Basoalto, born July 12th, year 1904,
deceased on September 23rd, 1973. The man who first adopted the name for the sake of the page, and then assumed it with all legal formalities. The man known as Pablo Neruda. The winner of the Noble Prize for Literature in the year 1971.
As a poet alone, he played many parts. From being a child prodigy at ten, popular as Pablo Neruda, while still in his teens, a dirty lover to many, a chronicler of historic epics, a capable communist and a prosaic self portraitist, among others. The words of the bard however, ofttimes came down in green ink, which was his characteristic representation of longing and promise.
The year 1948 saw the then Chilean president Gabriel González Videla, abolish communism in the country. Neruda, who was then a member of the senate on behalf of the Chilean Communist Party, had an arrest warrant issued in his name. A period…
Tom Morello’s TimeLine – Memories of Chris Cornell and Prophets of Rage Debut Song
Buzz World – Character Press – Verses Inked
BuzzWord will be a segment where we get nosy about our favorite artist’s social life. Truly touched by the emotional out-pour by Rage Against the Machine and Audioslave guitarist Tom Morello, on the death of his AudioSlave band mate, Chris Cornell. Verses Inked pays homage to the friendship, the association and its contribution to the world.
Tom Morello, with multiple genre bending musical acts, a bagful of guitar tricks, and a few famed guitars can afford to have a busy timeline. Yet Morello sure is a man of measured notes. In one ridiculous video he chucks his soul power, customized fender stratocaster, only for a crew member to delightfully catch it for safekeeping. The post accompanied by some honest words of wisdom regarding love and relationships.
“ If you love someone set them free. If they come back, they’re yours; if they don’t they never were. ” -Thus spake the artist about his own gimmick.
Otherwise there are numerous socio-political causes which Morello supports. With having his views on the future of rock and humanity published in LA Weekly, to contributing content for Chelsea Manning Benefit Compilation. An initiative by a number of luminaries among whom are Thurston Moore, Graham Nash, Against Me! And others including, yours’ truly Tom Morello.
Also on Morello’s timeline you will find appreciation for Canadian author, journalist and social activist, Naomi Klein’s new publication, No is Not Enough – Resisting Trump’s shock politics and winning the world we need. “ Essential reading for resistance ! – Tom Morello says in his post on Facebook.
Then there are the basic promotional post for the release of the debut song, unf**k the world, from the latest super-group that Morello is part of, Prophets of Rage, inspired by the Public Enemy song of the same name from the album- It Takes a Nation of Millions to Hold us Back. The band constitutes of Morello on guitar, Tim Commerford on backing vocals and bass, and Brad Wilk on drums. All three have been previously together in Rage Against the Machine and Audioslave. The remaining members of this galactic gathering consists of Hip-Hop artist Chuck-D and DJ Lord from Public Enemy and rapper B-Real from the band Cypress Hill.
From early impressions the song is heavy on hip-hop backed by funk rock, thrash metal RHTM influence. Morello is simply sublime with his notework and chords which climaxes to a solo of some reckoning. With the facility of of an in house DJ, and Morello’s affection for pedals and processors, you could be assured of a lot of effects and texture to the sound. The video of the song hovers on the lines of pop angst. With multiple clips of meat processing, pharmaceutics, infantries, the here and now Republican America and the band tearing the stage apart in their 2016 Make America Rage Again tour.
Tom Morello – In Memory of Chris Cornell:
Most of Morello’s recent timeline is all in memories of Chris Cornell. There are a number of posts to pick from. Foremost among which is a poem composed by Morello for Cornell.
You’re a prince, you’re a snare, you’re a shadow
You’re twilight and star burn and shade
You’re a sage, you’re a wound shared, you’re masked
You’re a pillar of smoke, you’re a platinum heart
You’re a brush fire, you’re caged, you’re free
You’re vision pierces, you do not see
You are pieces strewn on the hillside
You’re open armed, you’re armed, you’re true
You’re a revealer of visions, you’re the passenger, you’re a never fading scar
You’re twilight and star burn and shade
You’re the secret veiled, you’re the secret revealed, you’re surrounded no more
You’re not there, now you’re always here
Youre a handsome groom, a loving father, a haunted stairwell
You’re the clear bell ringing, the mountains echo your song
Maybe no one has ever known you
You are twilight and star burn and shade
Among other mentions of the late singer by his bandmate include a quote of the lyrics written by Chris for the Audioslave number – Shadow of the Sun.
“Shapes of every size Move behind my eyes Doors inside my head Bolted from within Every drop of flame Lights a candle in Memory of the one Who lived inside my skin… I can tell you why the end will never come I can tell you I’m the shadow on the sun”. Chris Cornell, Shadow On The Sun
– Tom Morello Facebook Post 28.5.17
A hearfelt au revoir:-
“Farewell, Sunshower. Goodbye, Shadow King. Until we meet again, sweet friend, break your rusty cage and run…”
– Tom Morello Facebook Post 28.5.17
Some exclusive Seattle grunge scene trivia:
#ChrisCornell & #AndrewWood were good friends and roommates in Seattle. Chris sang for #Soundgarden, Andrew sang for #MotherLoveBone (who were signed to MCA by @goldie.momandpop). Andrew overdosed and died. Chris wrote songs for Andrew that became the #TempleOfTheDog album. Some of the guys from Mother Love Bone formed a new band briefly called Mookie Blaylock before they settled on a permanent name…#PearlJam. Some of those dudes, including their new singer #EddieVedder played/sang on Temple Of The Dog record. Pearl Jam needed a drummer so Eddie called his old pal, #bradwilk. Didn’t work out so Brad came home and helped form #RageAgainstTheMachine, who were then signed by @goldie.momandpop to Pearl Jam’s new label, Epic. Soundgarden, Pearl Jam and RATM all rocked the planet mightily (and we’re all produced and/or mixed by #BrendanObrien). Soundgarden & RATM broke up and dudes from those bands formed #Audioslave, who also rocked the planet (also produced by Brendan). Audioslave broke up but later Soundgarden, RATM, Temple Of The Dog and Audioslave all reunited at one point or another. Then Chris Cornell passed away and now he and his good friend Andrew Wood are roommates once again.”
June 2017, We have Alice Cooper on the loop at Verses Inked.
June 9th saw the unveiling of the first single, Paranormal Personality, from the artist’s upcoming album – Paranormal. The album is due to be released July 28th on earMusic, to be made available as digital download, 2CD digital pack, limited 2CD box set and limited 7” white vinyl together with a bonus CD. All available for preorder with immediate effect
The new song was released on the on the same day on ‘Chris Evans BreakfastShow’on BBC2 and ‘Late Nights with Alice Cooper’, which is the artist’s own radio show. The album would be the first by the artist since his 2011 release, Welcome 2 My Nightmare – a sequel to the his first solo album, Welcome to My Nightmare, released 1975.
Paranormal is produced by Bob Ezrin who is recognized for his collaborations with Alice Cooper, KISS Pink Floyd, Lou Reed and Deep Purple,among other heavyweights of the rocknroll industry. Ezrin has been associated with Alice Cooper since the days of ‘the Band’ , and played an instrumental part in shaping the sound of his solo carrier.
The new album features celebrity collaborators who include – Billy Gibbons, ZZ Top Guitarist; Larry Mullen, U2 drummer and Roger Glover, Deep Purple bassist. A surprise reunion of the original Alice Cooper band at a recording studio in Dallas in 2015 forms the content of the bonus CD.
The song in many ways is a return to the roots for the legend of Alice Cooper. In the early 70’s Vincent Damon Furnier adopted the stage name of Alice Cooper, which previously was the name of the band for which Furnier was the vocalist since 68. The change of name as Furnier himself admits was that one momentous decision which sky-rocketed his carrier.
Alice however, came not without his demons. The alcohol fueled stage theatrics which defined the blurred fringes of shock-rock and help establish the legacy of the man, also took its toll on him. Rehabilitation, sick beds and countless hospital visits later, come July 28th, Alice Cooper would be releasing his twenty-seventh studio album.
Alice Cooper was meant to be a character for the stage, but his influence wrecked the man almost to nihility. He still picked himself up, reclaimed his audience, and today stands before them – a personification of power. Now clean and conscious, yet still an embodiment of the demons, still a celebration for the world to partake from.
The song, Paranoiac Personality, presents itself as a homage composed by Furner, dedicated to the legacy of Alice Cooper. The culmination of the paranoia of the ages are gently laid down as lyrics of the song, which comes from a mind that is all too used to, to the disease. The verses speak of the dark sub-conscious, the feeling of strangulation, conspiracy and slander, while the choruses carried forward by the steady yet subtle bass-line, proceeded by the typical slowhand, high on drive, shock rock guitars and accomplished effortlessly by Alice Cooper’s immortal voice, sing of the stuff that fuel the paranoiac personality.
The promotional video, stays true to its shock rock theme, with Alice making an appearance with identical,mutually revolting conjoined heads.
Pop Art looks out into the World. – Roy Lichtenstein
Pop culture as a phenomenon is a product of the twentieth century west. It is a conglomeration of ideas, expressions and opinions that garnered enough public interest to be considered mainstream. Broadcast and publicity makes the phenomenon an integral part of common life. Muted down so could be heard, compromised so as to fit in, yet intricate, and exciting. In its finery to make a show out of life and how.
Pop art is here to stay, here to celebrate existence and meander away from the orthodox and assimilate the rebels into its ever swelling streams. Conceived by the west in the 1950’s, constructed from the essence of irony in the mundane necessities of life. Pop art presents itself to the audience as a celebration of the humdrum. Everyday objects like a tea cup or a refrigerator, peripheral sections of the newspaper like comic strips and advertisements create the reference image on which the artwork is elaborately based. The reproduction of the otherwise obscure imagery into something magnificentthrough the application of expert techniques, laced with generous overtones of irony. This is what makes Pop Art, the on your face, million dollar extravaganza that it is.
While other art movements from the 20th century like Dadaism, Expressionism and Surrealism, evolving from the aesthetics of cubism, impressionism and likes, now depended heavily on the contents of the artist’s soul, deriving from the elements of the spontaneous sub-conscious, defeated conscious and meticulously dysphoric mind. Pop art, also a brainchild of the 20th century, in its modest ways begged to differ. Drawing life source from the forgettable, yet easily recognizable, everyday images in circulation. Comic strips and images from advertisement columns are of paramount importance in this regard.
In their selection of a materialistic medium as inspiration, pop art may have pursued the footprints of dadaism,a movement which preceded pop movement by a few years. Yet in its influence to the mass media, pop art surely went the longer distance.
Pop art like Abstract Expressionism was conceived on the bedrock of the post world war II civilization. Abstract Expressionism on its part drew from the psychological emptiness that was still prevalent among the population, while Pop art drank from the spring of industrial and commercial boom.
Thus pop art induces a rather interactive ambiance among a more varied audience compared to the other mentioned art movements which may attract the attention of few of the industry fanatics. Among other critical commentary on Pop art, it is often stated that the intentions of the artist is to strategically promote the cause of capitalism.
The ideals of Pop art may have surged across the common consciousness of different cultures at different points of time. Yet today what we speak of as Pop art is with respect to the American context.
Roy Lichtenstein, Andy Warhol, James Rosenquist, Tom Wesselmann, Claes Oldenburg among others are the American pop art masters.
Roy Lichtenstein and Pop Art:
“ Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself. ” as quotes Lichtenstein.
Roy Lichtenstein was a creator of million dollar enterprises. His 1963 artwork, ‘Torpedo Los’, in the year 1989 fetched a modest $5.5 millions at an auction in Christie’s. A personal record for the artist in the time. The piece which now could be considered a pop classic was sourced from an image from DC comics, with necessary meaningful alteration made by the artist. From 2010 on wards, paintings of Lichtenstein have constantly crossed the $40 million mark, with pieces like – ‘OhhhAlright’, ‘I Can See the Whole Room…and There’s Nobody in it!‘, ‘Sleeping Girl’ and ‘Women with Flowered Hat’ . In 2015 with the sale of, ‘Nurse’ to an anonymous buyer at an auction at Christie’s, for an astonishing $95.4 millions, the artist broke his previous record set by, Women with ‘Flowered Hat’ which sold in 2013 for $56.1 millions. All painstaking creations of pop art.
From among the author’s body of work, special mention must be made of: ‘ Whaam’ – 1963 Tate Modern Art, London; ‘ Downing Girl ’ – 1963, Museum of Modern Art, New York; ‘Look Mickey ‘ – 1961, National Gallery of Arts, Washington DC. Pieces which paved the way for the artist’s fame and are considered absolute corner-stones in the pop art repository.
Among other prominent artworks by Lichtenstein is the ‘Brushstroke Series’. A series of paintings embarked upon and accomplished by the artist in 65/66, which depicted in different ways the artistic rendition of a brushstroke. Imagery on the lines of Abstract Expressionism. A homage to the brushstroke, with its bold outlines, Ben day dot mastering, meticulous presentation and comic book inspiration, the smoke is all about Pop Art.
A true Pop artist at soul, who understood his creations, Roy Lichtenstein also showed artistic bias towards the mirror, late in 60’s. As counter culture was approaching its peak, while art critics still received their paychecks, it was the artist’s attempt at surrealism.
Born in a well to do Jewish family, Lichtenstein was first introduced to art and graphics in school. Through out his life he remained a student of the subject, with reproductions been the driving element of his body of work. His rendition of Van Gogh’s, ‘Bedroom at Aries’, in the early 90’s, more than a hundred years after the original was painted, through its bold outlines, bright colors and an overall remastering appeal, depicts organization, efficiency and evolution of the arts.
An Obituary to Chris Cornell – Say Hello to Heaven
And if I show you my dark side Will you still hold me tonight? And if I open my heart to you And show you my weak side What would you do? Would you sell your story to Rolling Stone?
-The Final Cut – Rogers Waters
Rolling Stone have got their stories going anyways. We at Verses Inked furnish a humble eulogy. To the student of magic, the moment in time feels like the passing away of the professor of potions. Chris Cornell was the Severus Snape like character. The man who poured out his dark side for the world to see until the world and its darkness got the better of him. Long life to the cause of creation of magic. The man lived and loved and lost. He fought for a cause, established an order- call it Phoenix or Grunge. Yet them demons. Don’t the bible say. You fight them for too long, and you end-up as one of them.
The news of Chris Cornell’s passing away came as a rude awakening to the world, yet only this time the world had got too used to such unfortunate occurrences. Every now and then someone brings it to the point where one should see it coming, yet it is all so comfortable with your eyes closed. Moreover who wants to think about the how – how death shows up – how John Lennon was overcome by multiple bullet wounds, or perhaps how Jhonny Cash passed away in peace, inebriate with grief on the death of his wife June Carter four months before, and diabetes. While Picasso’s heart failed him at the age of ninety one while he and his wife had invited friends over for dinner.
As Chris Cornell would himself sing in, ‘ Like a stone ‘. The second single from the eponymous first album of the American rock-n-roll super-group, Audioslave.
“ On a cobweb afternoon In a room full of emptiness By a freeway I confess I was lost in the pages Of a book full of death Reading how we’ll die alone And if we’re good, we’ll lay to rest Anywhere we want to go“
Following the typical octave stretching chorus, the second verse continues as –
“ On my deathbed I will pray
To the gods and the angels
Like a pagan to anyone
Who will take me to heaven
To a place I recall…”
And just before Chris Cornell explodes into the chorus for one last time, the concluding part of the final verse read as;
“ In dreams until my death
I will wander on…”
And that is to speak of just one song.
How much of the prophecy came true is there for everyone to listen and read about. Chris was found dead by Soundgarden bodyguard Martin Kirsten in the bathroom floor of room 1136 of the MGM Grand Hotel & Casino in Detroit Michigan, with a red exercise band around his neck and blood spilled from his mouth. The autopsy report would later confirm that Cornell took his own life.
The stimulant to the action was perhaps an extra dose of Ativan, a prescription medicine administered to control anxiety. Chris would incoherently complain of tiredness to his wife over the phone just moments before he took his own life.
Vicky Cornell, the bereaved widow mourned the passing away of her husband in an open letter. Vicky emotionally speaks of Chris’s “ patience empathy and love..”. The wife mourns the circumstances in which her husband gave away his life, in solitariness. Her disbelief at the event of the suicide clearly shows through in her words. Further in the letter, she hopes of their paths crossing again, like soulmates often do, as Chris would say. She speaks of him finding her again with a promise of nurturing the beautiful babies which they bore.
As would circumstance have it, Chris was at the MGM Grand Hotel and Casino in Detroit after having performed at the Fox Theater in the city with his band Soundgarden. The performance was a homecoming for both Chris as well as the band.
The Promise, is the last single released by Cornell. The song was composed as the ending credit of a movie by the same name.
In his last ever stage performance, Chris Cornell sang a cover of Led Zepplin’s In My Time of Dying for the encore.”…a bellowing vocal flourish” is how Rolling Stone Magazine describes the rendition.
What has the world lost. A singer of unmatched vocal prowess. A voice that would be etched in people’s mind for a lifetime. A voice that had its own little space in the fringes of the realm. A space in terms of voice scales touched by few, surely none with the ease with which Cornell did. A song writer whose lyrics carried in its depth the very soul of grunge. A poet who wrote his darkest thoughts in the cleanest of words. Someone who was still excited about the future, yet as in his last words, too tired to make it happen. A chart topper for best vocalists across genres and sagas. A saga in his own rights. The world mourns the passing away of Chris Cornell. We at Verses Inked humbly join in. Unable to express out grief in eloquent words we quote him. The song written by Chris Cornell for his band Temple of the Dog. Say Hello to Heaven.
He came from an island and he died from the street and he hurt so bad like a soul breaking but he never said nothing to me So say hello to heaven, heaven, heaven… So say hello to heaven, heaven, heaven…
And summoned now to deal
With your invincible defeat,
You live your life as if it’s real,
A Thousand Kisses Deep.
I’m turning tricks, I’m getting fixed,
I’m back on Boogie Street.
You lose your grip, and then you slip
Into the Masterpiece.
And maybe I had miles to drive,
And promises to keep:
You ditch it all to stay alive,
A Thousand Kisses Deep.
Lyrics from A Thousand Kisses Deep, from Cohen’s tenth studio album – Ten More Songs. A fitting prelude, in the man’s own word, retrospective of his life and times.
We have Leonard Cohen in our thoughts at Verses Inked. November 7th 2016 saw the passing away of Cohen. A poet, musician, writer and artist. A lifelong observer to orthodox Judaism, a proud Canadian. A personification perhaps, of the resplendent land-locked water-bodies of Canada. A master at rhymes with a voice with strength.
Leonard Cohen, among other personas about whom enough could never be written about, because certain remote yet engaging episodes of such blessed lives would always miss been on print of the finest intentions. For instance this not so interesting fact which Cohen himself accepted on some recorded interview for a certain Scandinavian television. That he once tried to introduce red wine to a Buddhist monk. He for once even convinced his zen teacher to deviate from the path of raw fish and sake and develop a taste for a traditional Jewish chicken soup. The most amusing piece of information, if one may think so.
Leonard Cohen – Spiritual Sojourns:
For a period of five years in the neoclassic 90’s Cohen shaved his head clean and lived his days at a monastery atop Mount Baldy at the outskirts of Los Angeles, with Buddhist Monk and Zen teacher Kyozan Hoshu Sasaki. Cohen was eventually consecrated as a Buddhist monk in the mid-90’s. Although his roots to orthodox Judaism remained compellingly strong, with him maintaining lifelong correspondence with Quebec based Orthodox synagogue, Congregation Shaar Hashomayim.
Although still, it was not until meeting Indian spiritual master Ramesh Balsekar, later in the 90’s that Cohen considered his spiritual quest close to fulfillment. In fact many of Cohen’s verses have been accepted to be straight lift ups from Talmudic literature, as they have been from other spiritual text, as well from the works of Fredrico Garcia Lorca, Albert Camus, William Butler Yeats, Walt Whitman and the likes.
The need for constant structure in life, which Leonard Cohen sought through his spiritual experiments, are sure to bring him peace in the life after. Death the ultimate leveller, if ever need be for one. Some wait for it, others have horses for their courses, working their way to extinction, one breath at a time.
The Passive Showman:
Leonard Cohen went for it for sure. It did go all ablaze, when doth need make. The Walter White story line played out in exact, albeit in real life. The man lost it all, was insecure of his inheritance to his family. The rest is ‘History’. Speaking objectively of which; Cohen lost most of his previously accumulated fortunes to the underhandlings of a female financial adviser, and been unable to re-collect any money even after winning a legal battle, Cohen, revving on his 70’s, set out on a world tour, after a complete absence from the scene for 15 years. The earnings from the tour were in millions of American bucks.
A voice you can sleep on, a singer and songwriter who understood and addressed the gravest needs of the time. A modest suit and hat gentleman made of love, faith and justice. A fortnight before he peacefully passed away in sleep, Leonard Cohen had released his final studio album. The album; the ever resounding Cohen recorded on a wheelchair and was produced by his Son, Adam Cohen. It was incidentally the first time the choir from the Orthodox Synagogue, Congregation Shaar Hashomayim, to which Cohen had associations all his life, was part of the production crew. Otherwise Cohen’s sound was known to be characteristically dominated by female vocals. This was the first time the father and son were working together. For Cohen senior, it was to be his first moves away from minimalism in the scope of sound. Too bad Curtain Call.
“ a little too weak to get there and boogie, and a little too healthy to die. “, in his own words, Cohen described his condition during his last days.
The Old Guitarist is an oil on canvas, which stands at an impressive four by two, two thirds of a feet. The piece was created by Picasso, sometime during 1903-1904, and rests at The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection.
The delineations of the image speak for themselves. A frail, wizened, careworn man, possibly blind, or just might have struck the note of his life. Fashionably beat, with his ill-fitting robe, which on its part is much worn at the shoulders. Something Ginsberg would have been proud of perhaps, and Burroughs for sure would have never got out of. The frame of the man is anteriorly bent over his guitar, which he almost holds in an embrace, as it gently rests over his laps. Your average, abated Barcalonian.
It is matter of no wonder that Picasso, during his post fame days would spent the entire day at some Spanish bar, doing what he probably did second best. At the end of the day, he would doodle something on a paper, perhaps tissue, and tada, the check was served. Something it must have been to be Picasso, as it had been most certainly to be Burroughs, Ginsberg, or Chengis Khan for that matter. As it is every bit to be the Old Guitarist of Picasso.
The Advent of Cubism:
Pablo Picasso along with Georges Braque, could be said to be the founding fathers of Cubism, a popular art movement from the early 20th century, which implemented the use of geometric patterns, to bestow upon the image its dimension. The Girl with the Mandolin-1910, Portrait of Daniel Henry Kahnweiler – 1910, Figure dans un Fauteuil (Seated Nude, Femme nue assise)-1909-1910, Juan Gris, Portrait of Picasso, 1912 among others may be said to be examples of Picasso’s work during the cubist era.
Yet during the time when the Old Guitarist came into existence, Expressionism was what, which was considered avant-garde. A movement which was itself influenced by Modernism, Impressionism, Post-Impressionism, and Symbolism. The same span of time in the artist’s life coincides with his blue period, which was influenced by his indigent living conditions, and the committing of suicide of a dear friend. The period in between 1900 and 1904, when the artist compulsively took to monochrome, using mostly shades of blue and green, with occasional presence of some other colour, to subtly soothe the scene every once in a while. The Blue Nude, The Blind Man’s Meal, Melancholy Woman, Woman with Folded Arms, among others could be sited as examples of creations from the blue period. Not to forget, the Old Guitarist itself.
About The Old Guitarist:
The Old Guitarist on its part was created just after the death of the friend, Casagemas, a time when the artist was particularly sympathetic towards the state of the poor. More empathetic if you may kindly say so. The image also espouses a certain degree of distortion, which is clearly depicted in the posture of the seated man. The torso been reclined at a skewed angle to the crossing of the legs. The brown guitar, is the only break from monochrome in the entire image, and adequately fills up the space that encompasses the desolate man.
There is a mysterious presence of an overlapping image on the old guitarist, which as per assumptions are the lines from a previous sketch of a woman, which Picasso had started out at, but decided otherwise. The limbs and head of which could not be totally done away with, even since the idea was rejected, and still make their apparitions felt.
There is this poem, you all might be interested of. A certain Wallace Stevens, who was inspired by the painting, had composed a piece of poetry which went by the name of, The Man With the Blue Guitar. A piece of virtue, as it is, what however the authorship seemed to have found on the internet is a piece by the one, the only, the Allen Ginsberg, which on its part goes by the name of, ‘a desolation’. The lines of the piece pretty much speak for themselves, and may be subject of much heated discussion some night of yonder. What however, the readers may note is the similarity that they may think of in between the old man of Picasso with his guitar, and the canvas, and the beat man Allen Ginsberg with his beat Harmonium and…Well we can just call them Ginsberg Verses.